I've got so many exciting plans and projects for 2019, but it can be pretty overwhelming knowing just where to start. Sometimes just taking a moment to look back over the past years achievements can help with a little focus. So here is my version of the 12 days of Christmas, my 12 favourite things from 2018...
1. Paper cutting
Some of my first works for 2018. Apart from a couple of pieces last year, I’d taken quite a long break from cutting paper so it was great to get back into it with this project cutting leaf vein patterns.
2. Pattern painting
Pictured here is ‘Variegated I’ one of my absolute favourite pieces this year. It's been a great year getting back into my painting in a big way - going up in size and up on the detail! I particularly enjoyed added a little collaged paper to work like this.
3. Artist Talk Feature
So lovely earlier this year to be featured in UK based Artist Talk Magazine. You can still read it online via this link.
4. Interlaced collection
From paper weaving to painting weavings. The start of my interlaced collection with this piece ‘The Woven Basket’. You can read more about this ongoing series of works here.
5. The Milburn Prize
This year I was very excited to be a finalist in the Milburn Art Prize with this work 'The Woven Basket II
The Regenerated exhibition at Brisbane's Aspire Gallery kicked off the start of my new aerial landscape series. I love looking at the beautiful natural patterns from a satellite perspective of the world and the Australia desert seemed like a great place to start following on from my aerial woven desert work last year. You can read more about my Regenerated collection here.
After attending a great art and science workshop a couple of years ago this year I finally started to delve into work inspired by patterns found at the microscopic level, like this piece 'Mulla Mulla Pollen Grains', another one of my favourites from this year.
One of the big focuses of this year was putting together a large body of work for my Variegated collection and show. Celebrating the simple beauty of leaves from the microscopic level through the to leaf vein patterns. You can see the full collection on the website here.
9. Venation Series
I just love how these turned out. A limited edition print collection based on my paper cutting work with Japanese ink. Prints are available from the limited print section of the website.
10. The Weaving Room
Very excited to be taking part in my first regional gallery exhibition with the Weaving Room at Pine Rivers Art Gallery. As well as being a finalist in the Morton Bay Art Prize earlier in the year with one of my woven photographs. On show until 19th January with 'The Mock Orange Hedge' woven painted paper and printed paper.
11. Water ripples
There's just something about water ripples, light bouncing off water and little bubbles on the beach I just love and keep returning to in my work. I was particularly pleased with this piece 'Variegated Rubber Plant by the Pool' with it's multiple layers of pattern.
And finally wrapping up the year is my coral work. Great timing with trend setter Pantone picking living coral for their colour of the year. I've still got some more pieces to share in the new year, as well as some particularly unusual work with recycled materials. This work titled 'Beyond the Shallows' is my entry for the Art Lovers Australia prize, another highlight this year being picked as a finalist for the 2018 show.
And that's about it. Wow, so much to look back on. I'm feeling very inspired for 2019! Thanks to everyone for your kind words of support and a big thank you to everyone who purchased my work this year. Can't wait to share all my new ideas with you.
If you had a particular favourite piece or technique this year please feel free to share in the comments, it might help me prioritise all these ideas :) And if you are interested in commissioning anything for 2019 please get in touch.
I'm so excited for June to have on show all together for the first time works from my new variegated series, plus, also for the first time I'll be taking part in the Samford and Surrounds Arts Trail and Open Studios!
From the 24th May-24th June you can find my work in the beautiful old Butter Factory building in Dayboro, just a short drive out of Brisbane, at the Mezzanine Gallery. On show is 'Natural Selection' a group exhibition. It really is a very unique space just above Entangle Living Art, the perfect spot to celebrate plants in art.
DEMO DAY: On Saturday 16th June from 10am I'll be at the gallery working on some new painted paper weavings. So pop by and say hello.
The gallery is open Wed-Sun 10-4pm at 38 Williams St, Dayboro.
This month sees the SNAP photography exhibition at Brisbane's Aspire Gallery come round again for another year. I really like to make a point of taking part in this one as I feel it's so important to accept and celebrate photography as the art form it is; unfortunately there are too many art sites and competitions that don't allow photography in as though it is somehow less worthy.
This year I wanted to show a different way of using photography. Rather than the photo being the finished piece itself, it is the focal point and an important part of the art making process. Several images were mixed together to create an abstract background which then formed the basis for each of the artworks above. Both include the same selection of photographs - a piece of patterned fabric, paper scraps, a string of lights and the studio desk covered in paint. Together they combine with some images of green watercolour washes to make the texture which has been collaged and painted over. The vase and the hanging basket made from woven recycled paper, and yes, the succulents are lots and lots of punched paper circles.
SNAP18 runs from the 14th - 24th March at Aspire Gallery, 53 Kennedy Tce, Paddington.
Excited to share the finished images of these two new landscapes I've been working on this month. The Lookout I and The Lookout II. Digital collages from security envelope lining, photography and watercolour washes, with cut paper on board. 25x25cm
This year I've set myself the challenge of going more three dimensional with my work, particularly with the landscapes. It was also nice to try and work with a different colour palette for a landscape with the pinks and greens.
They will be on show at Aspire Gallery next month 1 - 15 February as part of Petite Pieces 2017.
53 Kennedy Terrace Paddington
If you follow any of my social media accounts like Facebook and Instagram, you've probably noticed a lot of blue and white lately. Last month I was busy getting ready for a group exhibition at the Aspire Gallery in Brisbane's Paddington. The theme was 'comforts of home' and I took it as an opportunity to resurrect some old ways of working as wall as learning some new skills.
Having spent a significant portion of my life traveling I was interested in exploring what images might represent home when I've had so many different ones. I decided to narrow it down the most recent few cities, adopting a very homely subject of chintz fabric, patchwork and china plates.
Using different floral and bird motifs I created individual artworks to represent a home city and country. The passion fruit to me is Brisbane, Sydney the frangipani, London a rose and Wellington a Kawhai. The birds are a Rainbow Lorikeet for Australia, Wren for England and Tui for New Zealand.
Using antique illustrations as a starting point I recreated the flowers and birds from security envelope lining, then grouped them together to form a chintz 'fabric' pattern. It was my first attempt at making a repeatable pattern and is definitely something I'd like to try again.
I printed the pattern in large format then cut it into piece along with more security envelope lining to create a large paper patchwork. I then went back to the individual floral images and created blue and white china plate designs. It was nice to go back to working with porcelain again, something I used to use a lot in my NZ gallery. This time rather than hand painting I was able to transfer my designs directly from the printer onto the plates. There are also limited edition prints of these pieces on lovely glossy paper.
You can see the real things at the Aspire Gallery until 20th August at 53 Kennedy Terrace, Paddington. Limited edition prints are available on the website.
Jennifer is a multidisciplinary Australian artist based in Brisbane, Queensland. Her unique work combines traditional art and textile techniques from around the world, such as weaving, with her formal training in fine art photography and digital imaging.